时代:明晚期: 公元一五二二年至一六四四年
说明:明晚期〈雕竹窥简图笔筒〉图样源自《张深之正北西厢秘本》版画。圆柱形竹面雕刻，转化平面版画〈窥简〉和〈报捷〉二幅图案。沉思的崔莺莺与俏皮的红娘，仍藉屏风隔出两样情态，唯原本陈洪绶版画里的花乌四屏，依笔筒弧面简化为一屏。另侧图案以经过精心摆设的花瓶陈设与文房用具等表现。屏风右下角具「三松」二字楷体阴刻款。朱三松为晚明嘉定竹雕名家，技艺精湛，学之者众。 工艺品图样沿袭与运用陈洪绶版画图案，尚见另一件明代晚期〈雕竹仕女臂搁〉。雕于臂搁窄长形状的图样，重新组合了崔莺莺读信、背后屏风与桌案陈设三者关系，精简手法亦具巧思。
款识:
参考:《匠心笔蕴－院藏明清版画特展》The Printmaker''''s Ingenuity and Craft：Ming and Qing Prints in the National Palace Museum宋兆霖国立故宫博物院2015/07;《集琼藻 : 院藏珍玩精华展 : 导览手册》侯怡利、张湘雯、陈慧霞、赖依缦国立故宫博物院2014/08;《故宫文物月刊》249期(赴德展)器物处台北巿：国立故宫博物院2003/12
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