书体:

色彩:

浅设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：古稀天子
鑑藏宝玺：五福五代堂古稀天子宝
鑑藏宝玺：八征耄念之宝
鑑藏宝玺：文津阁宝
鑑藏宝玺：太上皇帝之宝
鑑藏宝玺：古稀天子之宝
鑑藏宝玺：犹日孜孜
鑑藏宝玺：避暑山庄
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编
收传印记：史西眉鑑赏图书
收传印记：许聚之印
收传印记：星瑞
收传印记：（圆形花纹印一及半印）

题跋资料:

题跋类别：作者款识；作者：唐寅；题跋位置：本幅；款识：大江之东水为国。其间巨浸称震泽。泽中有山七十二。夫椒最大居其一。夫椒山人耿敬斋。与我十年为旧识。昼耕夜读古人书。青天仰面无惭色。令我图其所居景。烟树茫茫浑水墨。我也奔驰名利人。老来静扫尘埃迹。相期与君老湖上。香飰鱼羹首同白。晋昌唐寅。；书体：草书；全文： 印记：唐伯虎

题跋类别：题跋；作者：清高宗诗塘甲辰新秋上澣御题；书体：行书；全文：（乾隆甲辰御题。诗文不录。）印记：古稀天子之宝、犹日孜孜

主题:

主要主题：山水  ；次要主题：船帆船 ；次要主题：船渔船 ；次要主题：船篷舟 ；次要主题：树木竹 ；其他主题：山水江河、湖海 ；其他主题：建筑房舍 ；其他主题：建筑茅草屋 

技法:

皴法 

参考资料:

收藏着录： 石渠宝笈三编（避暑山庄），第九册，页4397 收藏着录： 故宫书画录（卷五），第三册，页346 收藏着录： 故宫书画图录，第七册，页7-8 内容简介（中文）： 唐寅（西元一四七○－一五二三年），江苏吴县人。字子畏，一字伯虎，号六如。天赋多才，生性疏朗，狂逸不羁。弘治戊午（一四九八年）二十九岁举南京解元。画师周臣，而远过之。穷研诗、书、画，为明四大家之一。 浅设色绘渺茫湖波、万竿修竹。竹林丛中，茆屋数间，一缕炊烟，冉冉而升，栩栩欲活。依画上题识，此图乃是为好友耿敬斋画其所居景。画家欲借浑茫水墨，表达老来澹泊清修，期与老友寄情山水，悠游白首之情。诗景相融，益衬托出笔墨清雅，意境隽永。 内容简介（英文）： Trees Shrouded in MistT’ang Yin (1470-1523)Ming Dynasty T’ang Yin (style names Tzu-wei and Po-hu; sobriquet Liu-Ju) was a native of Wu county in Kiangsu. He was endowed with great genius, but was by nature unconventional and lived a carefree and decadent life. In 1498, at 28, he earned the highest score on the Nanking Provincial examinations. He was a student of Chou Ch’en (ca. 1450-1535), but soon surpassed his teacher. He was devoted to studying poetry, calligraphy and painting and is regarded as one of the Four Masters of the Ming dynasty. A vast expanse of waves and slender bamboo stalks has been depicted in light colors in this painting. Within the bamboo forest are several thatched houses; a column of steam from a kitchen rises from one of the houses. According to the inscription on the painting, this work depicts the scenery of the home of T’ang’s good friend, Keng Ching-chai. With this scene the artist hopes to express his wish to lead a life without wordly ambition, abandoning himself to nature and living a leisurely, carefree existence with his old friend. The poem complements the painting, bringing out the elegance and grace of the brushwork and imbuing the work with an everlasting mood.