书体:

行书

色彩:

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

韦苏州诗。密竹行已远。子规啼更深。绿池芳草气。闲阶春树阴。粉蝶飘兰迳。游蜂绕花心。不遇君携手。谁复此幽寻。子昂。陆颖笔近乃不佳如此（九字另行写）。

印记资料:

作者印记：赵氏子昂
收传印记：毕沅鑑赏
收传印记：毕泷鑑赏
收传印记：盘生（半印）

题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第六册，页2560-2564 收藏着录： 故宫书画录（卷三），第一册，页254-259 内容简介（中文）： 赵孟頫（西元一二五四－一三二二年），为宋宗室，湖州（今浙江吴兴）人。字子昂，自号松雪道人。宋亡，入仕元，累官至翰林学士，死后，追封魏国公，諡文敏。天资聪颖，诗文清邃奇逸，画入神品，书法尤称一世，篆、籀、分、隶、真、行、草，无不冠绝古今。本幅笔意流动，姿态妍美，出入右军大令之间，深得遒美俊逸之趣。本幅为「元人诗翰」册第七开。 内容简介（中文）： 赵孟頫（一二五四~一三二二），字子昂，号松雪道人，浙江吴兴人，为赵宋宗室。入元以后，接受征召出仕元朝，官至翰林学士承旨。赵氏才学过人，诗文、书画、音律皆有造诣，成就且远在政事之上。就书法来说，不仅精深篆、隶、楷、行、草各种书体，行草书尤其上追晋人，书史推许为王羲之传人。此幅书录唐韦应物「与卢陟同游永定寺北池僧斋」诗，历来归在赵孟頫名下，实则为后人讬名之作。(20110407) 内容简介（英文）： Zhao Mengfu (style name Zi’ang, sobriquet Songxue daoren), native to Wuxing, Zhejiang, belonged to the Song imperial clan. Into the Yuan dynasty, he was recruited by the court and became Hanlin Academician Recipient of Edicts. Zhao exceeded in talent and studies, achieving success in poetry, painting and calligraphy, and music far more than in office. In calligraphy, he delved into seal, clerical, regular, running, and cursive scripts, his semi-cursive particularly reaching to the Jin dynasty masters and praised in histories as a successor to Wang Xizhi’s. This work transcribes a poem by Wei Yingwu of the Tang; “Visiting with Lu Zhi the Beichi Monk’s Studio at Yongding Temple.” Ascribed to Zhao Mengfu, his name was actually added later.(20110407) 内容简介（英文）： Chao Meng-fu (style name Tzu-ang; sobriquet Sung-hsueh tao-jen) was a scion of the Sung dynasty (960-1279) imperial family and a native of Hu-chou (Wu-hsing, Chekiang). After the fall of the Sung, he entered service under the Yuan, eventually becoming a Han-lin Academician. After his death, Chao Meng-fu was enfoeffed as Duke of Wei and bestowed the posthumous title of Wen-min. By nature, he was endowed with many talents; his poetry and prose was profound and untrammeled, painting ranked in the divine category, and calligraphy especially praised as unparalleled in his age. Chao Meng-fu's combined accomplishments in seal, large seal, clerical, standard, running, and cursive script calligraphy were unequaled either before or after his times. The characters in this scroll appear to move and float with beautiful poses. By freely moving in and out of the calligraphic style of Wang Hsi-chih (321-379) and his son Wang Hsien-chih (344-388), Chao Meng-fu has thoroughly revealed a taste of forceful grace and refined untrammeledness.