书体:

行书

色彩:

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

世宗观张文忠祖墓图。以笔抹其一山。是夕永嘉有峯夷为平陆。山川在画史笔尖。既可夷为平陆。亦可从地涌出。想成国土。佛语无诓。秦皇驱石入东海。净名方丈掷大千不为奇事。知此则祴园不在金陵。居士不必无量。杜子美丹青引云。花骢却在御榻上。榻前阶下还相向。此册在处是卓园化身。其昌又题。　馀年十八学晋人书得其形模。便目无吴兴。今老矣。始知吴兴书法之妙。每见寂寥短卷。终日爱玩。吴兴亦云。俗子朝学执笔。夕己自夸。今知免矣。董其昌为信儒兄题。

印记资料:

作者印记：董其昌印
鑑藏宝玺：体元
收传印记：歙许志古图书记

题跋资料:

主题:

技法:

参考资料:

收藏着录： 石渠宝笈初编（重华宫），下册，页717-719 收藏着录： 故宫书画录（卷三），第一册，页411-413 收藏着录： 故宫历代法书全集，第二十八册，页76-117、170-177 内容简介（中文）： 董其昌（西元一五五五－一六三六年），字玄宰，号思白，别号香光居士，松江华亭（今上海松江）人。本幅选自〈明人翰墨〉册。原为题跋二则，后一则自述早年书学习晋人，自以为胜于赵孟頫，今年始知赵书之妙。两则书风略异，前一则结体倾侧，运笔浑朴，墨色浓渍多变。后一则结体修长，运笔流动秀迈。此作笔无定迹，于转折起伏间作线条粗细的变化，质任自然，结字端凝。(20110101) 内容简介（英文）： Dong Qichang, a native of Huating in Songjiang (modern Songjiang, Shanghai), had the style name Xuanzai and sobriquets Sibai and Xiangguang jushi. In this work from the album “Ming Calligraphy” are two colophons. In the latter, Dong stated he had studied works of Jin calligraphers in earlier years, feeling he had surpassed Zhao Mengfu and in that year learning the marvels of Zhao’s manner. The styles of the colophons here differ a little. The former has slightly slanting characters with simple and plain brushwork, the ink tones thick and varied. The latter has more elongated characters, the brush flowing and elegant. The brushwork is not set as lines fluctuate in density in the turns and applications, creating a natural style with solid characters.(20110101)