书体:

行书

色彩:

装裱形式:

轴

创作时间:

明思宗崇祯五年（1632）

文字类型:

汉文

质地:

本幅纸

释文:

南极老人星赋。万寿之灵。三辰之英。其出也。表君之瑞。其入也。助月之明。但仰祥光。莫辨皤然之象。方资瑞筭。斯垂耄矣之名。皇家以大洽雍熙。咸臻仁寿。感垂象之丕变。彰御图之可久。爰假号于耆年。实归美于元后。南郊享处。能无鼓缶之歌。银汉经时。谁是游河之友。观夫落落正位。荧荧影踈。应春秋之候。出丙丁之隅。视合壁之祥兮未异。顾连珠之瑞兮若无。象兹黄发。永我鸿图。是何上象着明。昌时合偶。历数自延于人主。名实何慙于国叟。月轮遥睹。安车之意宁无。天驷傍瞻。失马之嗟何有。此盖君着明德。天陈瑞星。会兹鼎盛。荐乃椿龄。增芳华于信史。协休美于祥经。每覩运行。如纵心于黄道。无差躔次。疑尚齿于青冥。遂使历象者考祥。占天者改观。挂碧空而的的。度青宵而烂烂。非时不见。如四皓之避秦。有道必居。若二踈之在汉。北阙前瞻。独呈祥于有烂。南山俯暎。共献寿于无疆。士有仰而赋曰。天之象兮示劝。君之位兮善建。实替天灵之数。永协华封之愿。又何必周王之梦九。而嵩岳之呼万者也。壬申（西元一六三二年）十月望日书。董其昌。

印记资料:

作者印记：董其昌印
作者印记：宗伯学士
作者印记：玄赏斋
鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

主题:

技法:

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页10 内容简介（中文）： 董其昌（西元一五五五至一六三六年）松江华亭人。字玄宰。万历十七年（一五八九）进士，累官湖广提学副使，太常少卿，礼部侍郎，天启五年（一六二五）拜南京礼部尚书。集书画创作、批评、理论、收藏、鑑别、着述于一身，是明代后期深具影响力的艺术家。董其昌书法初学颜卿、锺繇、王牺之，中年以后广搜博采，撷取古人特长，晚年更以己意融合晋唐宋人笔意而臻大成。本幅为七十八岁所书，运笔圆熟遒健，行间布置匀称，是晚年用意之作。 内容简介（英文）： Tung Ch'i-ch'ang (style name hsüan-tsai) was a native of Hua-t'ing, Sungkiang. Having received his chin-shih civil service degree in 1589, he went on to serve in various posts, such as Assistant Commissioner of Education in Hu-Kuang, Vice minister of Ceremonies, Gentleman of Rites, and minister of Rites in Nanking (appointed 1625). In terms of painting and calligraphy, Tung was an artist, critic, theorist, collector, connoisseur, and author all in one. He thus became an extremely influential artist of the late Ming dynasty(1368-1644).In calligraphy, Tung Ch'i-ch'ang first studied the styles of Yen Chen-ch'ing (709-785), Chung Yu (151-230), and Wang Hsi-Chih (303-365). After Tung's middle years, he searched far and wide to choose from the best of the ancients' calligraphic styles. In his later years, he fused the styles of Chin (317-420), Tang (618-907), and Sung (960-1279) calligraphers to eventually form his own great synthesis. This scroll was done at the age of 77. The brushwork is polished and forceful, thus being a concerted effort of his later years.