书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：宣统御览之宝

题跋资料:

主题:

主要主题：山水秋景 主要主题：翎毛鹅 ；其他主题：花草芦苇 ；其他主题：花草  

技法:

工笔 皴法 双钩 

参考资料:

收藏着录： 故宫书画录（卷五），第三册，页58-59 收藏着录： 故宫书画图录，第一册，页253-254 内容简介（中文）： 崔白(西元十一世纪)，安徽濠梁人，字子西，工画花竹翎毛，以画枯荷凫雁得名，但也精于道释、人物、鬼神。据说他作画不起稿，画长絃挺刃，不用直尺界笔。宋神宗熙宁初(约西元1068年)受命与艾宣、丁贶、葛守昌等人画垂拱殿屏风，颇受讚赏，补为图画院艺学。此图绘芦岸间，一鹅昂首独立。芦叶经霜，残绿犹存。鹅身描绘精细，羽毛纤毫毕显，极为写实。本幅旧传为崔白所作。 内容简介（英文）： Ts’ui Po, whose style name was Tzu-hsi,was a native of Hao-liang, Anhwei. He was a skilled painter of birds and flowers, acquiring fame for his portrayals of withered lotus plants and water fowl in particular. Ts’ui Po is said to have worked without a ruler or compass and to have painted directly, without preliminary drafts--remarkable comments in consideration of the exacting, realistic style associated with his name. Circa 1068, Ts’ui Po was one of a number of painters who received imperial commissions from Emperor Shen-tsung, and, following his successes in this endeavor, he was appointed as a student in the Painting Academy. A lone goose raises its head among water reeds. The leaves have been bitten by frost, though some green remains.The goose is painted with extreme detail, a fine brush delineating his feather. The painting, although a traditional attriution to Ts’ui Po, is an excellent example of realistic depiction.