书体:
色彩:
设色装裱形式:
轴创作时间:
元顺帝至正二年（1342）文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：赵雍；题跋位置：本幅；款识：至正二年（西元一三四二年）十月望日。仲穆画。；书体：行书；全文： 印记：仲穆主题:
主要主题：山水夏景 主要主题：山水江河、湖海湖主要主题：树木松 ；次要主题：人物 ；其他主题：人物百姓 ；其他主题：树木 ；其他主题：建筑房舍 ；其他主题：船技法:
双钩 皴法披麻皴苔点参考资料:
收藏着录： 石渠宝笈初编（御书房），下册，页1105 收藏着录： 故宫书画录（卷五），第三册，页165 收藏着录： 故宫书画图录，第四册，页197-198 参考书目： 1.何传馨，〈元赵雍采菱图〉，收入何传馨、许郭璜编，《夏景山水画特展图录》（台北：国立故宫博物院，1991年七月初版），页96-97。 内容简介（中文）： 赵雍（西元一二八九年生，卒年不详），浙江吴兴人。字仲穆，画法出自家传，而此帧尤为雅秀。树木笔意，脱胎于李成郭熙一路。溪上菱舟，往来飘攸火，菱叶满溪，密不容隙。而上幅留天几及全图之半，特有江天空旷之感。成于至正二年（西元一三四二年）十月，时年五十四岁。 内容简介（中文）： 赵雍（约1290－？），字仲穆，吴兴（今浙江湖州）人。元代书画名家赵孟頫次子。画法出自家传，善画山水，尤以人物、鞍马见长。此帧画溪上菱舟，往来飘倏，菱叶满溪，密不容隙，而上幅留天几及全图之半，特有江天空旷之感。全作设色温雅，用笔疏秀，树木笔意，脱胎于李成、郭熙一路。款云：「至正二年（1342）十月望日仲穆画。」时年约五十三岁。（20110913) 内容简介（英文）： Zhao Yong (style name Zhongmu) was a native of Wuxing (modern Huzhou, Zhejiang). The second son of the famous Yuan dynasty painter-calligrapher Zhao Mengfu, his style of painting also followed in the family tradition. He excelled at landscapes, specializing particularly at figures and saddled horses.In this painting, boats to pick water chestnuts gracefully scurry back and forth over the river thick with the leaves of these plants. Almost half of the painting is left blank to represent the sky, lending a feeling of vastness to the scenery. The coloring here is warm and elegant, with brushwork that is light and beautiful. The brushwork of the trees and foliage derives from the Li Cheng and Guo Xi tradition. The signature on this work reads, “Painted by Zhongmu on the fifteenth day of the tenth lunar month in the second year of the Zhizheng reign (1342).” This painting was thus done when the artist was about 53 years old by Chinese reckoning.(20110913) 内容简介（英文）： Chao Yung (style name Chung-mu) was a native of Wu-hsing, Chekiang. His style of painting derived from that of Chan Meng-fu (1254-1322). Water chestnut boats gracefully scurry back and forth over the river thick with the leaves of plants. Almost half of the painting consists of sky, lending a feeling of vastness to the scene. This is an especially elegant and beautiful work. The brushwork of the trees and foliage derive from the Li Ch'eng-Kuo Hsi tradition. This piece was painted in 1342, when the artist was 53 years old.
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