书体:

色彩:

研朱

装裱形式:

轴

创作时间:

明世宗嘉靖十三年（1534）

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：文征明；题跋位置：本幅；款识：（第一则）淇园丹凤飞来。几时留得参差翼。箫声吹断。彩云忽堕。碧空犹隔。想是湘灵。泪弹多处。血痕都积。看箫疎瘦影。隔帘欲动。应似落花狼借。（第二则）莫道清高也俗。再相逢。子猷还惜。此君未老。岁寒犹有少年颜色。谁把珊瑚。和烟换去。琅玕千尺。细看来不是天工。都是那春风笔。右调水龙吟。高季迪先生作。嘉靖十三年（西元一五三四年）岁在甲午二月五日。征明因戏写朱竹。遂录其上。；书体：草书；全文： 印记：文征明印、征仲

主题:

主要主题：树木竹 

技法:

写意 

参考资料:

收藏着录： 石渠宝笈初编（御书房），下册，页1166 收藏着录： 故宫书画录（卷五），第三册，页394 收藏着录： 故宫书画图录，第七册，页75-76 参考书目： 1.江兆申，〈文征明朱竹　轴〉，收入国立故宫博物院编，《吴派画九十年展》（台北：国立故宫博物院，1975年初版，1976年再版，1981年三版），页310。2.〈明　文征明　朱竹〉，收入谭怡令、刘芳如、林莉娜主编，《满庭芳　历代花卉名品特展》（台北：国立故宫博物院，2010年十二月初版一刷），页152。 内容简介（中文）： 文征明（西元一四七０－一五五九年），江苏长洲（今江苏苏州）人。绘画师法沈周（西元一四二七－一五０九年），两人同为「吴派」的支柱，对明代中后期的影响显著。 画竹常以墨色来表现，作者在此却以朱色画之，就连款识也用朱书，满纸映红，别有一番视觉感受。而两竿朱竹，瘦硬挺拔，用笔含蓄内蕴，却可见书法中永字八法的笔法。 内容简介（中文）： 乙卯（一五五五）秋，写朱竹，题高启词，按嘉靖甲午（一五三四）二月五日曾写朱竹，并题高启词，与此帧正同。惟至晚年，书画用笔，皆转趋转厚耳。 是年，董其昌生。 内容简介（中文）： 文征明（1470-1559），长洲（今江苏苏州）人。初名壁，后以字行，又更字征仲，号衡山居士。诗、文、书、画俱佳，画师沈周（1427-1509），师徒二人同为苏州画坛的支柱，对明代中后期画坛的影响至钜。本幅写两竿朱竹并立而生，姿态极见瘦硬挺拔，运笔则含蓄内敛，隐隐然涵融有永字八法的书法笔趣。写意画竹通常都以墨色来表现，此作却易之以朱砂色，就连上方题高启（1336-1374）词亦用朱书，满纸映红，别具一番新颖的视觉美感。画成于嘉靖甲午（1534），时文征明六十五嵗。(20110102) 内容简介（英文）： Wen Zhengming, a native of Changzhou (modern Suzhou, Jiangsu), originally had the name Bi and the style name Zhengming, which he later went by. He also had the sobriquets Zhengzhong and Hengshan jushi. Wen excelled at poetry, calligraphy, and painting, taking Shen Zhou (1427-1509) as his teacher. Both of these artists became pillars of painting circles in Suzhou and had a great influence on painting of the middle and late Ming dynasty.This slender hanging scroll depicts two stalks of bamboo rendered with nothing but red ink. They appear extremely thin and upright, the brushwork used to depict them being introverted and faintly revealing the calligraphic method of eight strokes in the character yong 永. Bamboo paintings in the “sketching ideas” manner are usually done in black ink, but this one is in red instead. Even Wen Zhengming’s transcription of poetry by Gao Qi (1336-1374) at the top of the scroll is in red ink, filling the work with vermilion and imbuing it with a fresh and innovative aesthetic. This painting was completed in 1534, when Wen Zhengming was 65 years old by Chinese reckoning.(20110102) 内容简介（英文）： Wen Cheng-ming, a native of ch'ang-chou in Kiangsu (modern Soochow), followed the style of Shen Chou (1427-1509). Both of these artists are considered pillars of the Wu School of painting, having a major influence on later Ming art circles. Paintings of bamboo are often done in black ink, but here the artist used red ink. Even the artist's inscription was calligraphed in red, creating for a painting filled with vermilion that has an unusually striking visual effect. The two stalks of red bamboo are quite delicate and slender as they are shown reaching upwards. The brushwork appears also somewhat reserved and elegant, and it reveals the use of diagonal downward strokes that are often found in calligraphy.