书体:
色彩:
设色装裱形式:
轴创作时间:
明穆宗隆庆四年（1570）文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺：嘉庆御览之宝题跋资料:
题跋类别：作者款识；作者：钱谷；题跋位置：本幅；款识：隆庆己巳（西元一五七０年）冬十二月写。钱榖。；书体：楷书；全文： 印记：钱氏叔宝、悬磬室主题:
主要主题：翎毛喜鹊 主要主题：花草杏花技法:
写意参考资料:
收藏着录： 石渠宝笈三编﹝延春阁﹞，第四册，页1969 收藏着录： 故宫书画录﹝卷五﹞，第三册，页405 收藏着录： 故宫书画图录，第八册，页107-108 内容简介（中文）： 钱谷（西元一五○八─一五七二年），长州（江苏吴县）人，字叔宝，自号磬室。少孤失学，迨壮，游文征明门下，始得书读之。以其馀力，点染水墨，山水兰竹兼妙。 杏花开于春日，枝头上飞来一只喜鹊，寓有喜报春讯之意。画花写鸟之笔墨雅淡润厚，并有沈周文征明之遗韵。 内容简介（英文）： Ch’ien Ku was a native of Wu-hsien, Kiangsu. His style name was Shu-pao, and he called himself Ch’ing-shih. As he was an orphan, his schooling was neglected. Later, when he became a pupil of Wen Cheng-ming (1470-1559), he eagerly devoted himself to reading. In his spare moments he painted excellent landscapes, orchids, and bamboo. Apricot flowers bloom in the spring. A magpie, also a harbinger of spring, has just landed on an apricot tree. The artist’s glossy, rich brushwork used in depicting the bird’s feathers is evidence of the influence of Ming masters Shen Chou and Wen Cheng-ming
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桃花源图(之二/明 仇英 (传)桃花源图(之二)纸本37x347.jpg!w300?_upt=b22b92e31769484601)
/明 仇英 古代仕女(立轴)绢本95×38.jpg!w300?_upt=212b05b61769484601)
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