书体:

色彩:

设色

装裱形式:

轴

创作时间:

明熹宗天启六年（1626）

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：张宏；题跋位置：本幅；款识：天启丙寅（西元一六二六年）季冬。倣包山翁笔。张宏。；书体：行楷书；全文： 印记：张宏、君度氏

主题:

主要主题：花草茶花 ；次要主题：花草水仙 

技法:

工笔 双钩 皴法折带皴

参考资料:

收藏着录： 石渠宝笈初编（御书房），下册，页1145 收藏着录： 故宫书画录（卷五），第三册，页472-473 收藏着录： 故宫书画图录，第八册，页377-378 参考书目： 1.〈明　张宏　仿陆治茶花水仙〉，收入谭怡令、刘芳如、林莉娜主编，《满庭芳　历代花卉名品特展》（台北：国立故宫博物院，2010年十二月初版一刷），页94。 内容简介（中文）： 张宏（1577-约1652），字君度，号鹤涧，江苏吴县人。善山水、人物、兼工花卉。 自题仿陆治笔意，成画于明熹宗天启六年（1626）冬季，正值山茶、水仙盛放季节，应是对景写生之作。作者时年五十岁，画风已趋纯熟，用笔苍秀并蓄，用色淳厚有古意。属小景式构图方式，特别安排山茶以横出的姿态，向画左延伸至坡石外，有悬伸的感觉，水仙、坡石的走向也顺应其势，颇具巧思。(20110102) 内容简介（中文）： 张宏字君度，号鹤涧，江苏吴县人。生于万历五年（一五七七），至清康熙七年（一六六八），已九十一岁尚健在。善山水、人物、兼工花卉。 张氏仿陆治之笔意写生花卉。山茶横出画面，强调悬伸之姿，水仙、坡土顺应其势，添于右下角，布局简雅，皴笔苍秀。画成于天　丙寅（一六二六）季冬。 内容简介（英文）： Chang Hung, a native of Suchou, Kiangsu, was skilled at both landscape and figure paintings, and also excelled in flower and bird painting. In this picture, Chang Hung imitated Lu Chih’s style in painting the flowers from life. A branch of camellias stretchs out horizontally across the picture plane, providing a vigorous atmosphere to the painting. With this branch, the slope of land and the narcissus at the bottom right form a simple but elegant composition. According to the date on the picture, this painting was finished in the late winter of 1626. 内容简介（英文）： Zhang Hong (style name Jundu, sobriquet Hejian) was a native of Wuxian, Jiangsu. He excelled at painting landscapes and figures, doing flower subjects as well.The artist’s inscription on this painting, dated to the winter of 1626, mentions imitating the brush manner of Lu Zhi (1496-1576). Depicted here is a scene “sketched from life” for the season when camellia and narcissus come into bloom. At the time, the artist was fifty years old by Chinese reckoning, so the painting style already tends to be more mature. The brushwork is elegantly practiced and reserved, the coloring pure with a touch of archaism. The composition belongs to the “intimate scenery” type of flower painting composition. The camellia has been especially portrayed as extending horizontally from the slope on the right, seemingly suspended in the air above the area at the left. The direction of the narcissus and slope follow along in an ingenious arrangement by the artist.(20110102)