书体:
色彩:
水墨装裱形式:
轴创作时间:
文字类型:
质地:
本幅纸释文:
印记资料:
鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：陈书；题跋位置：本幅；款识：仿黄鹤山樵夏日山居图。复菴陈书。；书体：楷书；全文： 印记：陈、书主题:
主要主题：山水夏景 ；其他主题：树木松 ；其他主题：建筑茅草屋 ；其他主题：山水溪涧、湍泉溪涧；其他主题：人物高士（士人、隐士）二人；其他主题：树木技法:
写意 皴法披麻皴人物衣纹描法(减笔) 苔点参考资料:
收藏着录： 石渠宝笈三编（延春阁），第五册，页2245 收藏着录： 故宫书画录（卷五），第三册，页558 收藏着录： 故宫书画图录，第十一册，页203-204 参考书目： 1.张华芝，〈陈书仿王蒙夏日山居图〉，收入刘芳如、张华芝主编，《群芳谱 — 女性的形象与才艺》（台北：国立故宫博物院，2003年初版一刷），页193。 内容简介（中文）： 陈书（西元一六六０至一七三六年），女，浙江秀水人。号上元弟子，晚号南楼老人。嫁于嘉兴钱纶光，后因长子钱陈群居官显贵，受诰封为太淑人。擅作山水、花鸟、草虫、人物。画山水祖法元代王蒙。本幅主以牛毛皴法画成，并常用点，山头草木蓊郁苍莽。染笔极少，保留线条与点之交组笔趣。 内容简介（英文）： The lady painter Ch’en Shu was a native of Hsiu-shui in Chekiang province. Her hao was Shang-yüan ti-tzu but later she also adopted the sobriquet Nan-lou lao-jen. She married Ch’ien Lun-kuang of Chia-hsing, and was the mother of Ch’ien Ch’en-chün who served as a high official during the reign of the Ch’ien-lung Emperor (1736-1796). Because of her son’s eminent position she was given the title T’ai-shu jen. She was a talented painter of landscapes, figures, bird-and-flowers, and insects-and-grasses. In depicting landscapes she frequently worked in the manner of the Yüan dynasty master Wang Meng. This painting employs the small “ox-hair” texture strokes associated with the Wang Meng tradition, but also uses a number of dots as well. The ink is applied lightly so that the vitality of the lines and dots is preserved.
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