书体:
色彩:
设色装裱形式:
轴创作时间:
文字类型:
质地:
本幅绢释文:
印记资料:
鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：艾启蒙；题跋位置：本幅；款识：喀尔喀亲王固伦额驸拉旺多尔济所进。臣艾启蒙恭绘。；书体：楷书；全文： 印记：恭、画主题:
主要主题：翎毛鹰 ；其他主题：树木 ；其他主题：花草 草技法:
工笔 写意 双钩 皴法参考资料:
收藏着录： 石渠宝笈续编（重华宫），第四册，页1867 收藏着录： 故宫书画录（卷五），第三册，页579 收藏着录： 故宫书画图录，第十四册，页101-102 内容简介（中文）： 艾启蒙（西元一七０八－一七八０），字醒菴，波西米亚人。乾隆十年入如意馆，与朗世宁、王致诚同为画院供奉。善画，尤工翎毛，赐三品衔。山壁突兀，老树横倚，树旁一石孑立。白鹰停于其上。树石画法极似董邦达、钱维城、张宗苍辈，盖艾氏之画深受当时画院诸人之影响，故其画中国画气息亦较朗氏宁为重。 内容简介（英文）： Ignace Sichelbart was a Bohemian Jesuit, who was given the Chinese name Ai Ch’i-ming amd the tzu Hsing-an. From 1746 onwards he was employed by the emperor as a painter in the Ju-i-kuan section of the place. He worked with Giuseppe Castiglione, Jean-Denis Attiret and others. Especially skilled at painting birds and animals, he was given a third rank title.A tree slants across a steep cliff and a white eagle rests on a rock beside it. The painting of the rocks and trees is extremely close to the work of Sichelbart’s Chinese contemporaries Tung Pang-ta, Ch’ien Wei-ch’eng and Chang Tsung-ts’ang. This work shows a relationship with the Ch’ing court painters, rather then with Castiglione.
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