书体:

色彩:

水墨

装裱形式:

卷

创作时间:

文字类型:

质地:

本幅纸拖尾纸

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编

题跋资料:

题跋类别：作者款识；作者：夏昶；题跋位置：本幅；款识：太常卿夏昶笔；书体：楷书；全文： 印记：东吴夏昶仲昭书画印

题跋类别：题跋；作者：王穉登拖尾甲午六月廿二新秋日。王穉登。；书体：草书；全文：回汀叠渚竹猗猗。暝色遥连望欲迷。记得维舟湘水暮。半江烟雨鹧鸪啼。此夏太常自题画竹诗也。诗既清绝。图中此君。亦复萧森。遂录其后。以当合璧。时方新秋。坐松院。凉飔瑟然。阅此画。讽此诗。恍若九疑如黛隔湘川。忆天寒翠袖。安得击竹而歌。令玉钗中断。甲午六月廿二新秋日。王穉登。印记：王穉登印、尊生

主题:

主要主题：树木竹 ；其他主题：山水溪涧、湍泉溪涧

技法:

皴法 苔点 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第四册，页1717 收藏着录： 故宫书画录（卷四），第二册，页155 收藏着录： 故宫书画图录，第十八册，页87-92 内容简介（中文）： 夏昶（西元一三八八－一四七○年），江苏崑山人，初姓朱，后复姓夏，字仲昭，号自在居士、玉峰。永乐时登进士，英宗正统中期官至太常寺少卿。工楷书，擅画墨竹，师承王绂（一三六二－一四一六）而有变化，名重域外，时有「夏卿一个竹，西凉十锭金」之誉，稍后略变师法而自创其格。 画水滨坡石，衬以竹叶，画叶用「个」、「介」相叠，以墨色浓淡分出前后，画竹之枝节用笔劲利遒健，竿瘦而叶肥，与王绂有相通处。 内容简介（英文）： BambooHsia Ch’ang (1388-1470)Ming Dynasty Hsia Ch’ang (original surname Chu, style name Chung-chao, and sobriquets Tzu-tsai chü-shih and Yü-feng) was a native of K’un-shan, Kiangsu. Receiving his chin-shih civil service degree in 1415, he went on to serve as Chief Minister of the Court of Imperial Sacrifices in the Cheng’t’ung era (1436-1449). He was versed in standard script calligraphy, but he excelled at painting bamboo in monochrome ink. Adapting the style of Wang Fu (1362-1416), Hsia became so famous for his bamboo in monochrome ink that it was said; “A single bamboo by Hsia fetches ten ingots of gold.” Hsia Ch’ang developed the styles of previous painters to create his own. In this painting, stones along a bank are shaded by bamboo leaves rendered in triangular patterns using light and dark ink to differentiate those in front and back. The joints of the bamboo appear tough and resilient, while the stalks are thin and leaves lush. Hsia’s style here reveals much of Wang Fu’s.