书体:

色彩:

设色,青绿

装裱形式:

卷

创作时间:

明思宗崇祯元年（1628）

文字类型:

质地:

本幅绢拖尾纸

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：董其昌；题跋位置：本幅；款识：张僧繇没骨山（疑落水字）馀每每倣之。然独以此卷为惬意。盖缘神怡务闲时所作耳。董玄宰画并识。；书体：草书；全文： 印记：昌

题跋类别：作者款识；作者：董其昌拖尾古人云。有笔有墨。笔墨二字人多不晓。画岂有无笔墨者。但有轮廓而无皴法。即谓之无笔。有皴法。而不分轻重向背。即谓之无墨。古人云石分三面。此语是笔亦是墨。可参之。戊辰（西元一六二八年）孟秋十日画并书于湖庄。董其昌。；书体：草书；全文： 印记：董玄宰、宗伯学士、戏鸿堂

主题:

主要主题：山水秋景 ；次要主题：山水云 ；次要主题：建筑茅草屋 ；其他主题：树木枫树．槭树枫树；其他主题：树木杨柳 ；其他主题：树木寒林．枯树枯树；其他主题：山水溪涧、湍泉溪涧；其他主题：山水江河、湖海江河；其他主题：建筑桥 

技法:

写意 皴法披麻皴苔点 

参考资料:

收藏着录： 故宫书画录（卷四），第二册，页239 收藏着录： 故宫书画图录，第十九册，页425-428 内容简介（中文）： 董其昌（西元一五五五－一六三六年），字玄宰，号思白，华亭（江苏松江）人。万历十六年进士，官至礼部尚书，善书画，山水笔墨爽朗，潇洒自具风格。 此幅青绿设色。红树青山，白云霭霭，一片秋光，明媚清丽。画中点叶用赭色、胭脂、朱砂、汁绿和赭墨交相点画，笔触轻盈爽朗，施色鲜丽而不伤雅秀。幅末自题云：「张僧繇没骨山，馀每每倣之，然独以此卷为惬意，盖缘神怡务閒时所作耳。」其自许如此。 内容简介（英文）： Tung Ch'i-ch'ang, a native of Hua-t’ing (present-day Sungkiang, Kiangsu), was a masterful painter and calligrapher. Style name Hsüan-tsai, sobriquet Ssu-pai, he became a Metropolitan Graduate (chin-shih) in 1588 and eventually served as a minister of Rites. His painting style was bold and original, and the brushwork in his landscapes fresh and refined. This radiantly beautiful autumn scene-red trees, green mountains, and folds of white clouds-is done in mineral green and colors. The leaves are painted with burnt umber, rouge, vermilion, and translucent green interspersed with ochre ink. The brushwork is light and fresh; the coloring, bright yet elegant. The artist’s colophon at the end of the painting reads: “I have copied Chang Seng-yu’s ‘boneless’ mountains many times, but this work, which I did when I was relaxed and at ease, is the only one with which I am satisfied.”