书体:

色彩:

浅设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

作者印记：邵
作者印记：弥
收传印记：梦禅室鑑

题跋资料:

主题:

主要主题：山水  ；次要主题：树木松 ；其他主题：山水江河、湖海江河；其他主题：人物高士（士人、隐士） ；其他主题：树木  

技法:

写意 皴法 苔点 人物衣纹描法(减笔) 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2095 收藏着录： 故宫书画录（卷六），第四册，页97 收藏着录： 故宫书画图录，第二十三册，页218-221 内容简介（中文）： 邵弥（西元一六二六－一六六二年前后）。字僧弥。长洲人。工诗。书法学虞世南、褚遂良。又善于画山水。效法宋元诸家。因此显得格高笔秀。他比较喜爱画小幅作品。这幅画低垂的松树下。一雅士静坐遥望秋山。笔墨清淡。给人一种遗世独立的寂寥感觉。 内容简介（英文）： Shan Mi (active ca. 1626-1662) Ming Dynasty Shao Mi (tzu Seng-mi) came from Suchou in Kiangsu. He was known for poetry as well as calligraphy, which was based on the styles of Yu Shih-nan and Chu Sui-liang. His landscape paintings reveal a study of the Sung and Yuan masters, and are therefore characterized by lofty, elegant brushwork and a preference for small, intimate compositions. Beneath the hanging branches of a pine tree, a scholar sits peacefully, gazing deep into the autumn mountains. The use of brush and ink is pure and bland, conveying the feeling of a solitary and slightly lonely withdrawal from the world.