书体:

色彩:

水墨

装裱形式:

册(折装‧纨扇式)

创作时间:

文字类型:

质地:

本幅绢对幅纸

释文:

印记资料:

题跋资料:

主题:

主要主题：经史‧故事 周处斩蛟；次要主题：人物百姓周处；次要主题：器用兵器剑；其他主题：山水江河、湖海江河；其他主题：山水 水涛；其他主题：山水云 ；其他主题：树木松 

技法:

工笔 皴法 人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 故宫书画录（卷六），第四册，页219 收藏着录： 故宫书画图录，第三十册，页40-45 内容简介（中文）： 画中人物头发散乱，满脸胡须，衣服破旧，赤脚，肌肉结实，在岸边凸起的岩石上磨剑。翻湧的波浪与松树、捲云形成画面的焦点。 这幅画原题「周处击蛟图」，不过从人物身旁的拐杖来看，应是描绘道教传说八仙之一的李铁拐。传说他身体魁梧，修道成仙后魂魄附在一饿死者身躯，所以形貌丑恶。传世明代宫廷画家曾作类似的图像，用以趋吉避邪。 内容简介（英文）： The figure here with disheveled hair and facial hair wears ragged clothes and is barefoot with a muscular stature as he grinds and sharpens his sword on a rock by the water’s edge. The surging water, pine, and clouds and mist also form focuses.This work was originally entitled “Chou Ch’u Striking a Dragon”. However, judging by the staff at the figure’s side, he is probably one of the Eight Immortals of Taoist legend, Li T’ieh-kuai (“Iron-staff Li”). He was said to have been tall and robust, but after studying the Tao and becoming an immortal, his spirit was transferred to the body of a starving beggar, hence his ugly appearance. Some similar surviving images made by court artists of the Ming suggested averting evil and bringing good luck.