书体:

色彩:

设色

装裱形式:

册(折装‧团扇式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

题跋资料:

主题:

主要主题：人物仕女三人；其他主题：器用女红用具锦罽；绣桌；绣具；其他主题：器用扇二只；其他主题：器用文玩（琴棋书画）书；其他主题：器用服饰（对人）披帛；钗饰

技法:

工笔 人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，2521 收藏着录： 故宫书画录（卷六），第四册，页230 收藏着录： 故宫书画图录，第二十八册，页256-259 参考书目： 1.刘芳如，〈无款仕女〉，收入国立故宫博物院编辑委员会编，《仕女画之美》（台北：国立故宫博物院，1988年四月初版），页91。 内容简介（中文）： 本幅未着作者名款，画呈圆式，背景殆以石青填实，中绘仕女三人围坐于钩金红毡之上，一举纤指作绣，馀二人分执纨扇静观。人物面部之额、鼻、颚以胡粉晕染，分外突显，是为「三白法」，衫裙上之图纹则精谨钩勒，间或描金，色泽极其富丽。旧标为宋人，然审其五官及结体，实与明季陈洪绶晚年清圆细劲的作风相彷彿。此帧选自「宋元集绘」册。 内容简介（英文）： Three ladies are sitting around an embroidery frame, where one woman continues her needlework as the other two watch quietly, holding round fans. Their faces are made up in the "three whites" fashion whereby their foreheads, noses, and chins are dabbed with white powder, which from an artistic point of view has the effect of making them appear more three-dimensional. The designs in the fabric of their brilliantly colored robes have been meticulously drawn and touched with gilded lines. Sitting on a red carpet traced with patterns of gold, these delicate figures stand out starkly against a background of mineral blue.Although this round painting has no signature, it bears a label attributing it to the Sung period. The women's facial features and the modeling of their figures, however, seem to be in the style af the Ming painter Ch'en Hung-shou (1599-1652), who in his later years painted in a similar full, graceful style.This leaf has been selected from the album Collected Paintings of the Sung and Yüan (Sung Yüan chi hui).