收藏着录: 故宫书画录(卷八),第四册,页35 收藏着录: 故宫书画图录,第十六册,页307-312 参考书目: 1.林柏亭、张华芝,〈宋陈居中出猎图〉,收入林柏亭、张华芝编,《画马名品特展图录》(台北:国立故宫博物院,1990年元月初版),页89。 内容简介(中文): 陈居中,嘉泰间(西元一二0一至一二0四年)画院待诏。工画人物,亦擅蕃族人马。宋元载籍关于陈氏之资料极少,至明则时见其作品流传之记载,而以人马题材居多。元柯九思推许陈氏之作,不亚于宣和蕃马名家黄宗道。胡骑策马奔驰,或挽弓射鹿,或持鞭击狐,一场紧张刺激的围猎场面,在广濶的秋原上展开。后段,有一人跪献猎物,受礼者当为领袖,有二骑护卫,一骑掌帽随侍。从行猎者的衣冠,鞍具看来,应是辽金系之边塞民族。 内容简介(英文): Ch'en Chü-chung was an attendant in the Painting Academy during the Chia-t'ai Era (1201-1204) who specialized in painting figures on Mongolian horses. Although he is rarely mentioned in Sung and Yüan writings, references to his works occasionally appeared during the Ming. Most of these record his skill as a painter of nomadic tribesmen on horseback. The Yüan painter K'o Chiu-ssu praised Ch'en's work as being as fine as that of Huang Ts'ung-tao, a well-known horse painter of the Hsüan-ho period of the Sung Dynasty.Nomadic riders whip their horses forward at a gallop. Some draw their bows to shoot deer, while some raise their whips to strike at foxes. A tense and exciting scene of hunters encircling their game on a vast plain is occurring. To the rear of the composition, a man kneels to present his quarry. The man receiving this gift is apparently the chieftain; two men on horseback ride beside him. One of these mounted attendants holds his hat on a pole. The hunter's costumes and equipage indicate that this group is of the Liao-chin people from Manchuria.
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