书体:

色彩:

设色

装裱形式:

卷

创作时间:

文字类型:

质地:

本幅绢拖尾纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：重华宫鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：乐善堂图书记
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：内府图书之印
收传印记：内府书印
收传印记：氏（半印）
收传印记：（一印不识）

题跋资料:

题跋类别：题跋；作者：邓文原拖尾至元己丑上巳日邓文原题；书体：行书；全文：陈居中以写照名庆元间。曾写宁宗御容称旨。遂有时誉。然国亡遗迹流传人间者。不过残缣片幅耳。馀尝得居中毛诗一段。作摽有梅图。笔意精巧。装为横幅宝藏之。若见此卷。则神气索尽矣。乃知当时画院中。人物自有不易及者。勿泛视之也。至元己丑(1289)上巳日邓文原题。印记：巴西邓氏善之

题跋类别：题跋；作者：杨泰拖尾蒲姑杨泰敬观；书体：行书；全文：居中画悉入内府。吾友傅希巖以善价购得其戏婴图一帧。寻为丘长睿攘之。旧曾见永平画志有文姬观猎图。迺赐韩侘冑之物。考其年月。亦正相似。疑即此也。不入内帑。安得完好如斯。亦岂神物流传自有鬼神呵护耶。今子恭不惜见示。吾且勃勃动长睿之思。以义自止。子恭其善护持。勿为希巖后身耳。蒲姑杨泰敬观。印记：杨泰天宠

主题:

主要主题：山水  主要主题：经史‧故事 故事（文姬观猎）；次要主题：人物侍从（侍女、童仆）侍从；次要主题：走兽马 ；次要主题：走兽骆驼 ；次要主题：走兽鹿 ；次要主题：车兽力车 ；其他主题：人物仕女文姬；其他主题：人物蕃族番王；其他主题：树木  ；其他主题：树木寒林．枯树枯树；其他主题：花草芦苇 ；其他主题：走兽狗 ；其他主题：翎毛鹰 ；其他主题：器用服饰（对人）帽；其他主题：器用耕织渔猎猎（弓箭）；其他主题：器用旗 ；其他主题：器用行李 

技法:

工笔 

参考资料:

收藏着录： 石渠宝笈初编（重华宫），下册，页783 收藏着录： 故宫书画录（卷八），第四册，页35 收藏着录： 故宫书画图录，第十六册，页327-330 内容简介（中文）： 陈居中(活动于西元十三世纪前半)，宁宗嘉泰年间(1201-1204)任职画院待诏，工人物、蕃马。蔡文姬(177生)，名琰，东汉蔡邕女。兴平中(194)为匈奴所掳，居胡地十二年，后为曹操所赎归。本幅内容即图写文姬居北地时之生活片段，画无款印，旧传为陈居中所作，但应为明人摹本。院藏同型之作共三卷，本卷之尺幅虽最短，但以笔墨论，则较其馀二幅略胜。 内容简介（中文）： 陈居中（活动于西元十三世纪前半），宁宗嘉泰年间（一二○一—一二○四）任职画院待诏，工人物、蕃马。蔡文姬（一七七生），名琰，东汉蔡邕女。兴平中（一九四）为匈奴所掳，居胡地十二年，后为曹操所赎归。本幅内容即图写文姬居北地时之生活片段，旧传为陈居中所作，但以笔墨论，应系明人摹本。院藏同型之作共三卷，其中，以本卷之尺幅为最长。 内容简介（英文）： Ch'en Chü-Chung was a Painter-in-Attendance in the Chia-t'ai era of Ning-tsung's reign (1201-1204) and excelled at figure and horse painting.Ts'ai Wen-chi (b. 177) was the daughter of Ts'ai Yung of the Eastern Han. She was captured by Hsiung-nu invaders and lived for 12 years in captivity before finally being ransomed and returned to China by Ts'ao Ts'ao. This painting describes Wen-chi's life in the north. Though neither signed nor sealed, it has been attributed to Ch'en Chü-Chung, but is most likely a copy by a Ming dynasty (1368-1644) artist. Three such scrolls are in the National Palace Museum, and this is the longest. 内容简介（英文）： h'en Chu-chung was a Painter-in Attendance in the Chia-t'ai era of Ning-tsung's reign (1201-1204) and excelled at figure and horse painting. Ts'ai Wen-chi (b.177) was the daughter of Ts'ai Yung of the Eastern Han. She was captured by Hsiung-nu invaders and lived for12 years in captivity before finally being ransomed and returned to China by Ts'ao Ts'ao. This painting describes Wen-chi's life in the north. Though neither signed nor sealed, it has been attributed to Ch'en Chu-chung, but is most likely a copy by a Ming dynasty (1368-1644) artist. Three such scrolls are in the National Palace Museum. Though this is the shortest of the three, the brushwork here is superior to the other two.