书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：宣统御览之宝

题跋资料:

主题:

主要主题：山水冬景（雪景） 主要主题：翎毛八哥（鸲鹆） ；次要主题：翎毛麻雀 ；次要主题：翎毛桑鸤 ；次要主题：翎毛黄尾鸲 ；次要主题：翎毛朱连雀 ；次要主题：翎毛山雀 ；次要主题：翎毛 相思鸟；次要主题：树木竹 ；次要主题：花草梅（白．红．蜡梅）白梅

技法:

双钩 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页54 收藏着录： 故宫书画图录，第一册，页121-122 参考书目： 1.谭怡令，〈五代后蜀黄筌竹梅寒雀〉，收入谭怡令编，《吕纪花鸟画特展》（台北：国立故宫博物院，1995年初版），页100-101。 内容简介（中文）： 雪寒中，朱连雀、桑鸤、八哥、麻雀栖于梅竹枝蔓中，此项题材、布景，可见于「边文进三友百禽」。从画幅横大于纵，与一般立轴纵大于横，有所不同，或许原本为一大画幅，因残破割裂而成者。画中绿竹竿，每节以重笔勾勒，连节处虚空，这种画法，亦见于边氏作风。八哥羽毛，其墨黑如碳，一般是以灯炱加胶所成，枝干留有残雪，用破笔沾白粉戳出，其法亦见于吕纪诸画中。就风格论，本画出于明人，为边文进、吕纪一系画家所作。 内容简介（英文）： In a wintry snow scene, a waxwing, grosbeaks, one mynah, and sparrows perch on the bamboo and plum branches. This subject matter is comparable to that in The Three Friends and One Hundred Birds by Pien Wen-chin. The artist has used a horizontal format for this painting which differs markedly from the usual hanging scroll format. Perhaps the painting in its original state was a large composition which has been cut down. The nodes of the bamboo are outlined with heavy brushwork, and the spaces between the nodes are unpainted, a trait characteristic of Pien Wen-chin. The artist has used charcoal black ink, a substance made of lamp black and glue, for the feathers of the mynah. He also used a worn brush dipped in white powder to dab small white specks onto the branches to signify snow. This is a technique which Lü Chi employed in most of his paintings. According to stylistic analysis, this painting was executed by a Ming dynasty (1368-1644) artist who imitated the style of Pien Wen-chin and Lü Chi.