书体:

色彩:

浅设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝
收传印记：蔡京珍玩
收传印记：赵仲穆印
收传印记：式古堂书画印
收传印记：卞令之鉴定

题跋资料:

主题:

主要主题：山水  ；其他主题：山水江河、湖海 ；其他主题：山水瀑布 ；其他主题：人物渔夫、船夫 ；其他主题：人物高士（士人、隐士） ；其他主题：船篷舟 ；其他主题：建筑篱笆、围墙 ；其他主题：建筑桥 ；其他主题：建筑茅草屋 ；其他主题：建筑水榭 ；其他主题：树木松 ；其他主题：树木寒林．枯树 

技法:

皴法 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页56 收藏着录： 故宫书画图录，第一册，页267-268 内容简介（中文）： 李公麟（西元一O四九－一一O六年），字伯时，号龙眠居士，舒州（安徽舒城）人。北宋熙宁中进士，善山水、人物，兼工画马。 参差坡陀岸，茅舍倚巖傍水而筑，渔家扁舟垂钓，士人拄杖渡桥。全图笔墨疏朗，墨线流畅。幅上并无作者名款，据旧籤定为李氏之作，然依笔调画风论，实乃后人所为，或更近于清初金陵八家之貌。 内容简介（英文）： Li Kung-lin (style name Po-shih and sobriquet Lung-mien chü-shih) was a native of Shu-chou (modem Shu-ch’eng, Anhwei). A chin-shih civil service degree holder of the Hsi-ning era (1068-1077), he excelled at painting landscapes, figures, as well as horses.In this painting, the river banks slope up towards curling mountain forms as a few thatched cottages stand at the water’s edge 1n the fore- and middleground. Fishermen appear angling from skiffs in the background as a scholar crosses a footbridge in front with a staff. The brushwork throughout is light and relaxed with fluid individual strokes. Although this painting bears neither seal nor signature of the artist, it has been traditionally attributed to Li Kung-lin. The style and brushwork, however, suggest the hand of a later painter and appears similar to works by the Eight Masters of Nanking from the early Ch’ing dynasty (1644-1911).