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鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：马和之；题跋位置：本幅；款识：和之（下有试字编号）；书体：行书；全文：主题:
主要主题：佛道人物神、仙麻姑主要主题：器用葫芦 ；次要主题：器用 锄；其他主题：器用花器花篮；其他主题：果蔬莲蓬莲藕；其他主题：果蔬石榴 ；其他主题：花草菊 ；其他主题：花草月季 玫瑰 蔷薇月季；其他主题：花草 ；其他主题：花草灵芝技法:
人物衣纹描法(粗细线条)参考资料:
收藏着录： 祕殿珠林续编（干清宫），页230 收藏着录： 故宫书画录（卷八），第四册，页57 收藏着录： 故宫书画图录，第二册，页31-32 内容简介（中文）： 唐颜真卿撰〈麻姑仙坛记〉前半引六朝葛洪《神仙传》，叙述女仙麻姑受仙人王远邀至蔡经家，且以米掷地即成丹砂的神异故事，后半记麻姑得道之地抚州南城县麻姑山仙坛之事。画中麻姑作妙龄女郎，且手指异常修长，应如《神仙传》记「十八、九许，顶中作髻，馀发散垂」且「手似鸟爪」。身后花篮置葫芦、灵芝、花卉等，可知麻姑形象已与福寿祥意结合。(20091016) 内容简介（英文）： The first part of Yan Zhenqing’s “Record on the Altar of the Immortal Magu” quotes Ge Hong’s (283-343) “Biographies of Deities and Immortals,” telling how the immortal Wang Yuan invited Magu (“Hemp Maiden”) to Cai Jing’s home, where she changed rice into pills of immortality. The latter records the Altar’s location where she achieved the Dao (Fuzhou, Nancheng County). Here Magu has long fingernails, as in Ge’s description of her as “18 or 19. Her hair was tied up, some strands falling about” and with “hands as if bird claws.” Her basket has a gourd, spirit fungus, and flowers, associating her with fortune, longevity, and auspiciousness. The style reveals an early Qing (1644-1911) date, so the earlier Yuan and Ming collector seals are most likely fake.(20091016)
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