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本幅绢释文:
印记资料:
鑑藏宝玺：乾隆御览之宝题跋资料:
主题:
主要主题：佛道人物罗汉（应真、尊者） ；次要主题：佛道人物供养人 ；次要主题：建筑栏杆 ；次要主题：树木杨柳 ；其他主题：器用家俱（屏风）桌椅；其他主题：器用宗教器用宝瓶；其他主题：花草技法:
人物衣纹描法(粗细线条)参考资料:
收藏着录： 秘殿珠林续编（干清宫），页100 收藏着录： 故宫书画录（卷八），第四册，页60 收藏着录： 故宫书画图录，第三册，页181-182 参考书目： 1.李玉珉，〈罗汉〉，收入何传馨主编，《文艺绍兴：南宋艺术与文化‧书画卷》（台北：国立故宫博物院，2010年十月初版一刷），页376。 内容简介（中文）： 庭园一角，一罗汉在禅椅上结跏趺坐，右手捧瓶，瓶中放出一道红光，直通天际。椅前有一花几，上置盆花与香炉，几前有一人手捧宝盒供养。本幅设色明丽，衣纹流畅，用笔精谨细致，罗汉和供养人衣上、禅椅上所铺锦垫以及花几上铺放几巾的凤凰和花卉图案、禅椅的木纹和蓆垫，以至于供养人的发丝都描绘得极为精微，与刘松年〈画罗汉〉的细致度不相上下，推测二者绘制的年代可能相去不远。(20101015) 内容简介（英文）： In the corner of a garden sits a lohan (a Buddhist worthy) cross-legged on a meditation chair. He holds a vase in his left hand and from it spews reddish light beaming directly up to the sky above. In front of the chair is a stand, on which are a flower arrangement and an incense burner. Off to the side of the table is a figure holding a treasure box as an offering.The coloring here is bright and beautiful with drapery lines that flow freely. The brushwork is precise and meticulous, while the phoenix and floral patterns of the clothing for both figures as well as embroidered cloth draped over the flower stand are all painted with exceptional detail, not to mention the straw mat and wood grain of the meditation chair. Even the hair of the figure making an offering is rendered exceptionally fine. The degree of painstaking precision here is comparable to Liu Songnian’s lohan paintings, suggesting that the date of this work is probably close to this artist.(20101015)
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