书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编
鑑藏宝玺：宣统御览之宝

题跋资料:

主题:

主要主题：节令与二十四节气年节岁朝主要主题：花草水仙 主要主题：走兽松鼠 ；次要主题：花草梅（白．红．蜡梅）白梅；次要主题：器用花器 ；其他主题：器用饮食器 ；其他主题：果蔬 瓜子、核桃

技法:

工笔 双钩 

参考资料:

收藏着录： 石渠宝笈三编（御书房），第七册，页3092 收藏着录： 故宫书画录（卷八），第四册，页74 收藏着录： 故宫书画图录，第五册，页349-350 参考书目： 1.〈传元人　岁朝图〉，收入谭怡令、刘芳如、林莉娜主编，《满庭芳　历代花卉名品特展》（台北：国立故宫博物院，2010年十二月初版一刷），页228。 内容简介（中文）： 冰裂纹花瓶插饰折枝白梅，前置盆栽水仙。此轴为岁朝清供图，春节花仙赐福，象征新春如意。另有松鼠戏瓶，嗑食撒落地面瓜子、核桃，增添画面生动热闹的气氛，图中瓜子、桃核又有「子孙和合」之吉祥含意。本幅无名款，以各种吉庆物品组合，绘松鼠或为鼠年岁朝所作，整幅构图布局与院藏清无款〈乾隆缂丝岁朝图〉近似。(20110102) 内容简介（中文）： 瓶插白梅，盆栽水仙，松鼠戏瓶，瓜子核桃撒落一地。本幅无款，图中绘松鼠，或鼠年岁朝所作。鼠年当绘老鼠，然画家通常较少以老鼠入画，故多绘松鼠以代之。图中瓜子桃核又别有子孙和合之吉祥含意。 内容简介（英文）： This painting depicts white plum blossoms in a white pot. A squirrel is eating the melon seeds and walnuts that he stole from the small vase lying on the ground.The representation of a squirrel or in Chinese "pine-mouse" indicates that most likely this painting was done in the mouse year according to the Chinese calendar.Like many other New Year painting, the squirrel stealing seeds and these two kinds of flowers bear auspicious meaning. 内容简介（英文）： Attributed to an anonymous artist, Yuan dynasty (1279-1368)Hanging scroll, ink and colors on silk, 81.5 x 38.4 cmSprigs of white blossoming plum appear in a vase with crackle pattern to the rear of the composition, and in front is a planter with narcissi. This is a painting of offerings for the Lunar New Year; during the holidays, narcissi are presented as blessings to symbolize that all will go as one wishes in the new year. Also shown here is a squirrel on top of a vase lying on its side, the melon seeds and walnuts inside having spilled out. This not only adds life to the scene, the characters for “seed” and “walnut” in Chinese are also homophones for the auspicious message of “May children and grandchildren be in harmony.”This work is unsigned, but the combination of various auspicious objects along with the squirrel (suggesting a production for the Year of the Rat) is compositionally similar to an anonymous tapestry in the National Palace Museum collection entitled “Picture for the New Year” from the Qianlong reign (1736-1795) in the Qing dynasty.(20110102)