书体:

色彩:

浅设色

装裱形式:

轴

创作时间:

明世宗嘉靖十三年（1534）

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：周臣；题跋位置：本幅；款识：嘉靖甲午（西元一五三四年）中秋既望。东邨周臣倣静菴笔意。；书体：草书；全文： 印记：东邨、舜卿

主题:

主要主题：山水  主要主题：树木松 ；次要主题：人物高士（士人、隐士）士人；次要主题：人物侍从（侍女、童仆）童仆；其他主题：器用饮食器 ；其他主题：花草藤萝 ；其他主题：树木竹 ；其他主题：山水瀑布 ；其他主题：树木  

技法:

皴法 人物衣纹描法(粗细线条) 苔点 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页78 收藏着录： 故宫书画图录，第六册，页305-306 内容简介（中文）： 周臣（约西元一四五○至一五三五年），江苏吴县人，字舜卿，号东村，善画山水人物。山水师陈暹，间传宋人画法，得力于李唐、刘松年、马远、夏圭。用笔纯熟，风骨峭劲雅健，传授笔法与唐寅、仇英。 崖壁间，双松盘纡郁结，上有藤萝攀附，松后巖壁，不着笔墨，几为云雾所掩，远山澹然点画，倍觉空旷疏朗。士人对坐，观瀑清谈，人语泉声，恍如身历此境。此幅用笔成熟醇厚，为其晚年粗放之笔，虽题为仿戴进笔意，亦近于南宋马远画风。 内容简介（英文）： Chou Ch’en was a native of Wu-hsien, Kiangsu. His style name was Shun-ch’ing and his sobriquet was Tung-ts’un. He excelled at both landscape and figure painting, and studied landscape from Ch’en Hsien (1405-1496). He based his style on the Sung Dynasty masters: Li T’ang, Liu Sung-nien, Ma Yüan, and Hsia Kuei. His brushwork was strong, refined, sharp and vigorous, and he transmitted his style to the Wu School masters T’ang Yin and Ch’iu Ying. A pair of pine trees draped with wisteria stand between the crags. The distant mountains are painted in light ink, conveying a feeling of broad space. Two scholars sit facing each other, admiring the waterfall as they converse. The sounds of human voices and of water seem to be almost audible in this composition. In this painting, Chou Ch’en’s brushwork is broad and unrestrained, as is characteristic of his mature style. Although the inscription states that this painting follows the manner of Tai Chin, an earlier Ming painter, it is in fact more similar to the style of the Southern master, Ma Yüan.