书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宝笈三编
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：文征明；题跋位置：本幅；款识：茅簷灌莽落清阴。童子遥将七尺琴。流水高山堪寄兴。何须城市觅知音。征明。；书体：草书；全文： 印记：文征明印、悟言室印

题跋类别：题跋；作者：清高宗；题跋位置：本幅；款识：乾隆丙子春御题；书体：行书；全文：（乾隆丙子御题。诗文不录。）印记：乾隆宸翰

主题:

次要主题：人物高士（士人、隐士） ；次要主题：人物侍从（侍女、童仆）童仆；次要主题：树木松 ；次要主题：建筑斋馆 ；其他主题：山水  ；其他主题：树木芭蕉 ；其他主题：花草萱花 ；其他主题：翎毛鹤 ；其他主题：器用文玩（琴棋书画）琴、书；其他主题：器用花器 ；其他主题：建筑房舍 ；其他主题：树木梧桐 ；其他主题：树木竹 ；其他主题：树木  

技法:

皴法 苔点 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第四册，页1924 收藏着录： 故宫书画录（卷八），第四册，页80 收藏着录： 故宫书画图录，第七册，页165-166 参考书目： 1.国立故宫博物院编辑委员会，〈明文征明琴鹤图〉，收入国立故宫博物院编辑委员会编，《界画特展图录》（台北：国立故宫博物院，1986年初版），页62。2.江兆申，〈文征明琴鹤图　轴〉，收入国立故宫博物院编，《吴派画九十年展》（台北：国立故宫博物院，1975年初版，1976年再版，1981年三版），页317。 内容简介（中文）： 文征明（一四七○－一五五九），初名壁，以字行，更字征仲，号衡山居士，长洲（江苏苏州）人，为明代吴派领导画家。五十四岁以岁贡至京，授翰林待诏，与修武宗实录，后厌倦京师生活，返居故里，专意艺事。 本幅设色界画重楼敞轩，宾主二人坐堂上对语，庭前桐荫高松，一鹤啄苔，一童子捧琴至。笔墨清劲，设色雅淡，楼阁虽作界画法，仍保持文人画家雅逸之气息。 内容简介（英文）： Wen Cheng-ming was a native of Ch’ang-chou in Kiangsu province. Although his given name was Pi, he was best known by his style name Cheng-ming. Another style name was Cheng-chung. His sobriquet was Heng-shan chü-shih. He was the most influential leading master of the Wu school. At the age of fifty-three, he was recommended to the emperor as a tribute student, and received a position as Academician Awaiting Orders in the prestigious Institute of Academicians. he participated in editing the Wu-tsung shih-lu (Records of Emperor Wu-tsung). Later, he tired of the official life and returned to his hometown where he spent the rest of his life creating art works. This colored ruled-line painting consists of a two-storied pavilion with an open-air room on the first floor. There, the guest and host are conversing with each other. Pines and firmiana trees stand in the garden. A crane is picking up a piece of moss, and a servant boy is carrying a ch’in (Zither) to the hut. Color is refined. Although Wen Cheng-ming used a fine ruled-line painting style to depict the architecture, the work reveals a graceful and casual atmosphere which maintains the spirit of literati painting.