书体:

色彩:

水墨

装裱形式:

轴

创作时间:

明思宗崇祯六年（1633）

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：御书房鑑藏宝
鑑藏宝玺：石渠宝笈
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：王铎本福癸酉（西元一六三三年）十二月廿八日四鼓未醉写。王铎。；书体：草书；全文： 印记：王铎

主题:

主要主题：山水  ；其他主题：山水江河、湖海 ；其他主题：树木  ；其他主题：建筑亭 ；其他主题：器用家俱（屏风）椅

技法:

写意 皴法 苔点 

参考资料:

收藏着录： 石渠宝笈初编（御书房），下册，页1161 收藏着录： 故宫书画录（卷八），第四册，页91 收藏着录： 故宫书画图录，第十册，页5-6 内容简介（中文）： 王铎（一五九二－一六五二），字觉斯。河南孟津人。明天启二年（一六二二）进士，入清官至大学士，諡文安。为人好古，高爽博学，工诗古文。行草宗二王，正书出钟繇，亦能自出胸臆，名重一世，与董其昌并称。王铎亦工绘画。本幅画远山近树，中锋侧锋并用，笔快速而健劲，墨韵浓润，结构虽简，盖游神涉笔，而不失真意。 内容简介（英文）： Wang To, tzu (style name) Chűeh-shih, was a native of Meng-chin in Honan province. In the second year of the Ming Emperor Hsi-chung’s reign (1622) he won the Chin-shih degree. After the Ch’ing dynasty took over the rule of China in 1644 he served at the Ch’ing court, eventually rising to the position of Academician. Open-minded and lofty, Wang To was learned and excellent in composing poems and essays. He was also skilled at calligraphy of various scripts. While still alive, his fame equaled that of Tung Chi-chang (1555-1636). Wang To was good painting too.In this painting, Wang used his brush in upright or sideward position with speed and force and applied ample ink to create a landscape with simple composition but rich in ink tonality. Though free and spirited, it captured the essence of a landscape.