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本幅纸释文:
印记资料:
鑑藏宝玺：乾隆御览之宝题跋资料:
题跋类别：作者款识；作者：张若霭；题跋位置：本幅；款识：银海光中湧翠涛。一龛青髻两垂髦。玉龙昨夜来听法。不遣纤尘点白豪。籋云天骥踏凌兢。指点香台近可登。惊起禅枝双怖鸽。刷残琼屑落寒棱。千巖飞雪洒行厨。人与霜松一样臞。幸覩拈花参妙谛。好从薝卜写新图。臣张若霭敬和并绘。；书体：行书；全文： 印记：臣霭、师古之人主题:
主要主题：山水冬景（雪景） 主要主题：建筑寺庙 ；次要主题：树木松 ；其他主题：山水山径 ；其他主题：山水溪涧、湍泉 ；其他主题：树木寒林．枯树枯树；其他主题：建筑桥 ；其他主题：建筑亭 ；其他主题：树木技法:
皴法披麻皴苔点参考资料:
收藏着录： 石渠宝笈续编（重华宫），第四册，页1821 收藏着录： 故宫书画录（卷八），第四册，页106 收藏着录： 故宫书画图录，第十一册，页377-378 内容简介（中文）： 张若霭（一七一三－一七四六）清安徽桐城人。字晴岚，雍正癸丑（一七三三）传胪，袭伯爵，諡文僖。善书，工画花竹、禽虫，深得王谷祥、周之冕遗意。 乾隆丙寅（一七四六）初冬幸五台山，途中遇雪，命若霭绘图，并自题曰：「台麓廻銮经镇海寺，积雪在林，凹峰露宇，天然画意，因命传臣写之。」本幅刻意描写雪、松、楼宇，雪留白，松用翠，楼宇用朱，设色明艳而刻饰。 内容简介（英文）： Snow at the Ch’eng-hai TempleChang Jo-ai (1713-1746 A.D.)Ch’ing dynasty A native of T’ung-ch’eng, Anhui, Chang Jo-ai (tzu Ch’ing-luan) was given the title of court and the name Wen-hsi in 1733. A skilled calligrapher and painter, he was noted particularly for his flowers, bamboo, animals and insects. Chang formed his painting style on the basis of the ideas of Wang Ku-hsiang (1501-1568 A.D.) and Chou Chih-mien (ca. 1580-1610 A.D.). In early winter 1646, an imperial entourage travelled to Wu-t’ai-shan. They encountered snow along the road and the Ch’ien-lung Emperor requested Chang Jo-ai to paint. According to the Emperor’s inscription: “At the foot of T’ai-shan we turned back toward the Ch’eng-hua temple. Snow covered the trees while crevices in the peaks remained bare; the naturalness of the scene required a painting, so I ordered one of my ministers to paint this.” Here Chang has paid particular attention to areas in which snow has accumulated; the pines are green and the roofs of buildings red, but snowy areas have been left unpainted. The coloration is extremely clear and definite and thus somewhat unnatural in appearance.
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