书体:

色彩:

设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：秘殿珠林
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙

题跋资料:

题跋类别：题跋；作者： 裱绫 ；书体：行楷书；全文：（裱绫藏书标名。朱书。）第四嘎礼嘎尊者。闭目盘膝。置履于前。行脚事毕。有似止观。观空亦病。说悟即迷。居士胡跪。请质所疑。

题跋类别：题跋；作者： 裱绫 ；书体：行楷书；全文：（裱绫藏书标名。朱书。）第三拔纳拔西尊者。伽梨在身。军持在几。本来不隔。谁分彼此。铜磬置前。击之有声。雨随云落。水逐波生。

主题:

主要主题：佛道人物罗汉（应真、尊者） ；次要主题：佛道人物佛道侍者一；次要主题：佛道人物供养人一；其他主题：器用家俱（屏风）家俱（几、石桌）；其他主题：树木竹 ；其他主题：器用香炉．火盆香炉；其他主题：器用宗教器用经卷；其他主题：器用 军持；磬

技法:

人物衣纹描法(粗细线条) 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页125 收藏着录： 故宫书画图录，第十三册，页329-330 参考书目： 1.李玉珉，〈清徐扬仿贯休画罗汉〉，收入李玉珉主编，《罗汉画》（台北：国立故宫博物院，1990年初版），页86。 内容简介（中文）： 徐扬，生卒年不详，号云亭，江苏吴县人，乾隆十六（西元一七五一）年，因献画而获高宗赏识，召入内廷画院为供奉。他的画以山水为专长，又善于画墨梅，人物画较难得见到。 本幅画二尊者结跏趺坐，其一眉目清净，披袈裟，手持经卷，前一侍者持槌击磬，另一尊者披发长须，着长衫，闭目沉思，前一居士俯身跪拜。二尊者的后面石几上有水瓶、香炉、经卷等。全幅人物衣纹线条于匀称，构图平实，为清代画罗汉典型之一。 内容简介（英文）： Imitating Kuan-hsiu’s Paintings of Lohans,Hsü Yang (fl. 18th century),Ch’ing Dynasty. Hsü Yang (sobriquet; Yün-t’ing), whose birth and death dates are unknown, was a native of Wu-hsien, Kiangsu. In 1751, having presented a painting to the Ch’ien-lung emperor (r. 1736-1795) and receiving his praise, Hsü Yang was summoned to the Painting Academy of the Inner Court as a Palace Attendant. He was a specialist in landscape painting and also excelled at depicting plum blossoms in monochrome ink. His figure paintings are less frequently seen, however. This is a painting of two lohans seated cross-legged. One of them is handsome, dressed in monastic garb, and holding a sūtra scroll. In front of him is an attendant garb, and holding a sūtra scroll. In front of him is an attendant striking a ch’ing-instrument with a mallet. The other lohan wears long hair, a moustache and beard, and a robe with long sleeves. His eyes are closed in deep thought. Before him is a layman kneeling and bowing in worship. On the stone table behind the two lohans are such objects as a water bottle, incense burner, and sūtra scroll. The composition of the painting appears realistic. It is typical Ch’ing dynasty of lohans.