书体:

色彩:

水墨

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：嘉庆鑑赏
鑑藏宝玺：宝笈三编
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：方琮；题跋位置：本幅；款识：臣方琮恭画；书体：楷书；全文： 印记：方琮、恭画

主题:

主要主题：山水秋景 ；其他主题：树木松 ；其他主题：树木寒林．枯树枯树；其他主题：树木杨柳 ；其他主题：建筑桥 ；其他主题：建筑房舍 ；其他主题：树木  ；其他主题：山水江河、湖海江河

技法:

写意 皴法 皴法折带皴苔点 

参考资料:

收藏着录： 石渠宝笈三编（延春阁），第五册，页2463 收藏着录： 故宫书画录（卷八），第四册，页128 收藏着录： 故宫书画图录，第十四册，页155-156 内容简介（中文）： 方琮，字黄山，生死时年籍贯皆不详，以署款和画风推测，疑为乾隆朝画院中人。能画山水，画史称他宗法元黄公望，但以作品面貌看，画法接近李世倬、方土庶一路，学的都是王原祁渴笔干皴法，而且山石分面和堆砌，又彷彿近似倪云林，画面充满一片荒寒萧瑟的气氛。 内容简介（英文）： No details of the life of Fang Ts’ung (style name Huang-shan) have been recorded. Judging from the style of his paintings and the way in which they are signed, Fang was possibly a painter in the Imperial Painting Academy during the reign of the Ch’ien-ling emperor (1736-1796). Painting histories state that Fang Ts’ung’s landscape style was derived from that of the Yüan master Huang Kung-wang; however, his surviving paintings reveal a closer relationship to his contemporaries Li Shih-cho and Fang Shih-shu. All there employed a style clearly evolved from the dry-brush texture stroke methods of the early 18th century painter Wang Yüan-ch’i. Furthermore, the methods of massing and faceting the surfaces of rocks and mountains rather resemble the style of Ni Tsan of the Yüan, inbuing the finished work with a barren, cold, and mournful air.