书体:

色彩:

设色

装裱形式:

册(推蓬装‧折扇式)

创作时间:

清宣宗道光二年(1822)

文字类型:

质地:

本幅纸对幅纸

释文:

印记资料:

题跋资料:

题跋类别:作者款识;作者:朱璨英;题跋位置:本幅;款识:壬午(西元一八二二年)秋日写唐人诗意。为少渠二兄大兄属。南邨朱璨英。;书体行书;全文: 印记:五峯、梦尽落华閒

题跋类别:题跋;作者:翁方纲对幅临华阳南宫二帖。为怡庵老先生鉴。翁方纲。;书体行书;全文:南平王萧伟所造清远之居。桓清远长沙寻真。基趾存焉。雷平山有水。名曰柳谷汧。又名田公泉者。茅传云。在山之左汧名柳谷。有田叔居之。取水玉津饮之。元日明窓。焚香西北。向展文皇。大令及他书。临写数本。米芾。临华阳南宫二帖。为怡庵老先生鉴。翁方纲印记:翁方纲印、覃谿、大雅

主题:

主要主题:花草杏花 

技法:

写意 没骨 苔点 

参考资料:

收藏着录: 故宫书画录(卷八),第四册,页162 内容简介(中文): 朱璨英(活动于西元十九世纪中叶),生卒年不详,字五峰。此幅以没骨写生法画红杏满枝,用笔流畅,设色兼得雅致与鲜丽之趣。其构图意念依扇面边缘弧线延伸,选景去繁取简,疏密有致,自有一种雍容绰约的情调。画上有一小段跋:「壬午(西元一八二二年)写唐人诗意,为少渠二兄大人属。南邨朱璨英。」可知此图乃为友人少渠先生所作。画上左下角所钤「梦尽落华閒」,印文与绘画本身颇能呼应。本幅为「艺林清赏」册第七开。 内容简介(英文): Apricot BlossomsChu Ts’an-ying (act. mid-19th cent.)Ch’ing DynastyThere are very few details concerning the biography of Chu Ts’an-ying (style name Wu-feng). In this painting, Chu Ts’an-ying has used the boneless method (mo-ku) to paint from life a branch full of apricot blossoms. The brushwork is lively, and the colors are both elegant and bright. Chu Ts’an-ying utilized the elongated format of the fan, adopting a simplified rather than a complicated composition. There are both sparse and dense areas which are combined to produce a graceful and delicate scene.There is a short inscription on the painting which reads, “In 1822 I have painted the poetic ideas of T’ang poets for His Excellency Shao-chu. Chu Ts’an-ying of Nan-ts’un.” From this inscription it is clear that Chu Ts’an-ying painted this for his friend, Messr.Shao-chu. The seal “Meng-chin lo-hua-hsien” in the lower part of the painting complements the rest of the composition.This painting is the seventh leaf in the album Yi-lin ch’ing-shang.

猜你喜欢

白缎地广绣三阳开泰挂
土尔扈特白鹰图
双骏图
长林逍遥图
山水人物手卷(桃花源图)
石梁雨来亭图卷
江山无尽图卷
山水册11开
观音图
法界源流图
敢荔图
柳塘双鹭图纸本
林泉春暮图轴
着色山水
书法扇面
猛虎图轴
鸡鸣图
上塞锦林图
1.013864s