书体:
色彩:
设色装裱形式:
册(推蓬装‧折扇式)创作时间:
清仁宗嘉庆十六年（1811）文字类型:
质地:
本幅纸对幅纸释文:
印记资料:
题跋资料:
题跋类别：作者款识；作者：伟元（姓名待考）；题跋位置：本幅；款识：辛未（西元一八一一年）重午前一日。小泉指画。；书体：行书；全文： 印记：伟、元主题:
主要主题：佛道人物僧（和尚、尼姑） ；其他主题：树木 ；其他主题：器用包袱 ；其他主题：器用枴杖技法:
写意 皴法 人物衣纹描法(粗细线条)参考资料:
收藏着录： 故宫书画录（卷八），第四册，页162 内容简介（中文）： 程伟元（？─约一八一八年），字小泉，苏州人。布袋和尚僧名契此，是唐末高僧，形裁腲肥，常以杖荷布袋入市廛化物，故人称之为布袋和尚，本幅画布袋和尚立于古树下，袒腹露胸，举手伸欠，布袋与荷杖置于其后。通幅以指作画，点划草草，而人物情态毕具。本幅为「艺林清赏」第十一开。 内容简介（英文）： The Monk Pu-taiWei Yüan (act. 19th cent.)Ch’ing Dynasty There is very little known about the biography of Wei Yüan, though he is believed to be an artist of the 19th century. This painting is a depiction of Monk Pu-tai, a monk originally named Ch’i-tzu who lived during the late T’ang dynasty. A rather stout figure, he often travelled to the city carrying a cloth bag on a pole to beg to beg for alms. People therefore called him Monk Pu-tai (Monk Carrying a Cloth Bag). In this painting, Monk Pu-tai is standing under an old tree. Both his chest and stomach are exposed, and he has raised his hand slightly. His staff and cloth bag are behink him. Wei Yüan painted the entire work with his fingers. The style is rather free and cursory, but Wei Yüan has completely captured the expressive quality of the figure. This painting is the eleventh leaf in the album Yi-lin ch’ing-shang.
 纸本 567.8x21.1.jpg!w300?_upt=1adf6fb41769399019)
.jpg!w300?_upt=c42ee7e71769399019)
登录
