书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

作者印记：文进

题跋资料:

主题:

主要主题：山水春景 ；其他主题：山水江河、湖海江河；其他主题：人物高士（士人、隐士）高士；其他主题：人物侍从（侍女、童仆）童仆；其他主题：树木  ；其他主题：树木松 ；其他主题：树木杨柳柳；其他主题：花草桃花 ；其他主题：建筑台阁 ；其他主题：建筑房舍 ；其他主题：建筑栏杆 ；其他主题：器用家俱（屏风）桌、几；其他主题：器用 瓶

技法:

工笔 皴法斧劈皴人物衣纹描法(减笔) 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页162 内容简介（中文）： 本幅绘写春日水岸边苍松垂柳，士人坐于亭阁内。全画仿南宋山水画的边角构图，画石用斧劈皴，以墨晕烘染表现山石的立体质感。戴进（西元一三八八－一四六二年），字文进，浙江钱塘（今杭州）人。擅山水、人物、花果、翎毛，宣德年间以画艺供奉宫廷，不受重用返归杭州，后世尊为浙派始祖。此幅作者旧题为戴进，然与戴氏动感笔触相较，反与南宋晚期画中饶富诗意的氛围相近似，从画风看，应为明代仿南宋作品。(20110405) 内容简介（英文）： This work depicts pines and a willow along a shore on a spring day; a scholar sits in a building. Imitating the one-corner composition of a Southern Song Painting Academy landscape, the rocks feature “axe-cut” texture strokes, and ink washes give the mountains volume. Dai Jin, a native of Qiantang in Zhejiang (modern Hangzhou), excelled at landscapes, figures, flowers and fruits, and birds. In the Xuande reign he was a court painter but did not find favor, so he returned to Hangzhou. He is known as founder of the Zhe School. Though attributed to Dai, the brushwork here differs from his dynamic manner and is closer to the rich lyricism of late Southern Song painting. Judging from the style, it is a Ming imitation of a Southern Song work.(20110405)