书体:

色彩:

设色

装裱形式:

册(推蓬装‧折扇式)

创作时间:

明神宗万历三十三年（1605）

文字类型:

质地:

本幅纸

释文:

印记资料:

题跋资料:

题跋类别：作者款识；作者：孙克弘；题跋位置：本幅；款识：乙巳（西元一六○五年）秋日写。孙克弘。；书体：行书；全文： 印记：汉阳太守

主题:

主要主题：花草芙蓉 ；其他主题：花草菊 ；其他主题：花草芦苇 ；其他主题：花草  

技法:

写意 没骨 双钩 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页163 收藏着录： 故宫书画图录，第三十册，页128-131 内容简介（中文）： 孙克弘（西元一五三三－一六一一年），一作克宏，字允执，号雪居，松江（今上海市）人。天资高敏，画山水学马远，云山倣米芾，花鸟似徐熙、赵昌，竹倣文同，兰倣郑思肖，时写人物、仙释，兼带梁楷笔意，纵横点缀，皆有根据。名重一时，求其画者甚多。在水之湄，芙蓉数朵垂斜，旁芦苇一枝横出，丛花密叶中，有雏菊映衬隙间。此图以劲利之笔写干作花，设色古淡，极有生意。本幅为「明花卉画册」第八开。 内容简介（英文）： HibiscusSun K’o-hung (1533-1611)Ming Dynasty Sun K’o-hung (style name Yün-chih, sobriquet Hsüeh-chü), a native of Sung-chiang (modern Shanghai), possessed an innate talent for painting. He followed the styles of Ma Yüan for landscape painting, Ni Fu for cloudy mountains, Hsü His and Chao Ch’ang for birds and flowers, Wen T’ung for bamboo, and Cheng Ssu-hsiao for orchids. He was also able to paint figures including immortals and Buddhist subjects, capturing the brush method of Liang K’ai. Every brushstroke – a line, a dash, a dot – was steeped in tradition. He was quite famous, and collectors seeking his paintings abounded. Hibiscus flowers sway over the water’s edge, and a reed juts out across the composition. The hibiscus flowers, thickly clustered together amid the leaves, are complemented by daisies. Sun K’o-hung has used tensile brushstrokes as well as light, refined colors, thereby producing a painting full of vitality. This is the eighth leaf in the album Flowers by Ming Artists (Ming hua-hui hua-ts’e).