书体:

篆书

色彩:

装裱形式:

镜片装

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

新正初破。三五银蟾满。纤手染香罗。翦红莲。满城开遍。楼台上下。歌管咽春风。驾香轮。停宝马。只待金乌晚。帝城今夜。罗绮谁为伴。应卜紫姑神。问归期。相思望断。天涯情绪。对酒且开颜。春宵短。春寒浅。莫待金杯暖。（篆书）。东屏少宰清鉴。芸台阮元。（行书）。

印记资料:

作者印记：节性斋老人
作者印记：怡志林泉

题跋资料:

主题:

技法:

参考资料:

参考书目： 游国庆；〈笔走龙蛇—清代中晚期经学家书法〉，《故宫文物月刊》，第351期（2012年6月份），页114-127。 内容简介（中文）： 阮元（一七六四~一八四九），字伯元，号芸台，江苏仪征人。乾隆五十四年进士，宦途一路顺遂，依旧不废学问。杭州诂经精舍、广州学海堂，分别为其巡抚浙江、总督两广时一手创建，培育无数经学人才。阮元经学上的造诣，可从《十三经注疏校勘记》窥知一二；对于书法的涉猎，则倾向崇古，爱好碑版文字。此幅篆书书录欧阳修「蓦山溪」，气息高华，无怪乎论者推为达官中之大学者。(20120409) 内容简介（英文）： Ruan Yuan (style name Boyuan, sobriquet Yuntai), a native of Yizheng in Jiangsu, was a Presented Scholar of 1789, but his success as an official did not stop him from continuing his studies. He set up the School for the Classics in Hangzhou and the Sea of Studies Hall in Guangzhou while head of Zhejiang and Guangdong-Guangxi, respectively, nurturing many talents in the Classics. His own achievement in the Classics is also seen in his Collation of Notes and Commentaries on the Thirteen Classics. As for dabbling in calligraphy, he tended to archaism and favored stele characters. This work of seal script is transcribed from Ouyang Xiu’s “Moshan River.” With its lofty manner, no wonder critics praised him as a “true scholar among those in officialdom.”(20120409)