书体:

行书

色彩:

装裱形式:

轴

创作时间:

文字类型:

汉文

质地:

本幅纸

释文:

石脾入水即干。出水即湿。独活有风不动。无风独摇。皆物理之不可晓者。澧。

印记资料:

作者印记：豊印
作者印记：南园
作者印记：人在蓬莱
收传印记：习是斋藏天随阁遗箧珍品

题跋资料:

题跋类别：题签； 籤题  南园行书直幅。宣纸本。临苏石脾帖。丙寅秋得。瓶斋祕笈。

主题:

技法:

参考资料:

收藏着录： 谭伯羽谭季甫先生昆仲捐赠文物目录，页172.285 网页展示说明 钱沣（西元１７４０？１７９５年），字约甫，号南园，云南昆明人。擅书法，行书学习宋代米芾的笔意，楷书则以学唐代颜真卿而知名，曾多方观摩颜氏的书蹟和碑拓，到了晚年又兼学唐代的褚遂良和欧阳询，以致他的书法气格宏大，有着阳刚之气。清代中叶以后，学颜真卿者多由他入手。 这幅临苏的石脾帖，文意甚为有趣，旨在记述一件异物－石脾，其特性像「入水即干，出水即溼」和「有风不动，无风独摇」等，均违反自然之理，令人不解。而钱沣书此，虽说是在临摹宋代书家苏轼的书法，但事实上在行书的笔法中，明显的带有其楷书圆厚的意味，已是本身面貌的呈现了。 网页展示说明 Ch'ien Feng (tzu Yueh-fu, hao Nan-yuan) was a native of Kunming, Yunnan province. A master calligrapher, he emulated the Sung painter Mi Fu in his running script style. His standard script, moreover, was famed for its likeness to the works of the T'ang calligrapher Yen Chen-ch'ing, whose calligraphic works and stele rubbings he exhaustively studied. In later life, Ch'ien also learned from the works of the T'ang calligraphers Ch'u Sui-liang and Ou-yang Hsun, the influence of whom can be seen in the grandness and unyielding force of his brushwork. After the mid-Ch'ing period, many students of Yen Chen-ch'ing calligraphy began with the works of Ch'ien Feng. The text of this scroll gives a fascinating account of a strange object--a "stone spleen" that "in water remains dry but becomes wet when it comes out." It is described, moreover, as "still in the wind yet moving in still air," both of which are characteristics that run enigmatically counter to nature. Ch'ien Feng claimed that he emulated the calligraphy of the Sung author Su Shih in this work. However, the running script clearly conveys the full and rounded style of standard script and reveals Ch'ien's unique style.